Now You See Me – is a English thriller released in 2013. Four magicians are brought together by a unknown man. They perform magic shows in which they rob bank live and distribute the money to the audience. FBI and Interpol are after the magicians to catch them live. Where they able to prove the deception in their magical acts and arrest them is the plot of the movie.
The movie is made in a very stylish way as many of the famous heist movies like Ocean’s Eleven. It keeps the audience engaged and guessing the trick throughout the movie. Although there are few of the tricks you might be able to guess before hand as you had already seen movies on similar lines but still the screenplay is written very brilliantly to keep you glued to your chair. This is one of the movies which got released without many frills but would sweep you off the feet if you are a fan of heist movies. It is a must watch.
Drishyam – is a Malayalam drama and thriller released in 2013. The movie revolves around the middle class family of Georgekutty, his wife Rani and their two daughters. They lead a typical life that has both happy as well as challenging moments around petty things. Overnight they go through a situation that threatens to change their lives forever. What was the situation and did they manage to overcome it is the plot of Drishyam.
Director Jeethu Joseph has created a very engaging thriller in Drishyam. The movie starts on a slow note revolving around the family going about their routine life. One might start having a feeling of watching a TV serial during this portion. However once the problem is manifested everything falls in place and keeps you engaged throughout. You would leave the hall with a very satisfied feeling. Mohanlal’s acting is laudable and is very convincing. The other characters Meena, Kalabhavan Shajon has done a very good job in their roles as well. The screenplay and the shots layout has been the soul for the movie which slowly unfolds and keeps the audience guessing till the end. But for the length of the movie you would not find many shortcomings. Overall the movie is a must watch in the theaters.
Kalyana Samayal Saadham – is a Tamil romantic comedy film released in 2013. The film revolves around the various situations that occur in planning and organizing an Indian wedding. The story is narrated through the various events that occur during the arranged wedding of Raghu and Meera. When the wedding is finalized everything seems to be breezy until they face a problem that could potentially call off the wedding just couple of months ahead of the actual wedding. Added to this everyone in the family thinks they own the wedding and orchestrate the events much to the dislike of the to-be wedded couples. Were they able to resolve the issue, did they find a soul mate in each other remains the rest of the plot.
Director RS Prasanna has not only captured the essence of an arranged Indian wedding but also has subtly covered many problems that occur in organizing one. The problem that the couples face would be new for the audience to see it on screen. This kind of keeps the story engaging and not let it fall apart as a usual wedding drama which we have seen in many movies. Actor Prasanna has essayed his part very well and Lekha Washington just fills in sufficiently. She has a limitation on the number of expressions she could bring out on screen.
What you would like: Very fresh screen play, comic portion of the movie, typical wedding time drama elements that most of us would have experienced
What you would not like: Certain shots look disconnected without an establishing shot. Lack of strong drama element due to too many positive characters might bore you in parts
Overall the movie as a complete package is definitely watchable despite its few short comings.
Bullett Raja – is an action thriller movie in Hindi released in 2013. Somewhere in Uttar Pradesh (UP) a gangster is shot in an encounter, he recounts his past. He was an unemployed youth and becomes a close friend of a courier delivery man at a wedding party. Thugs attack the house that night, the two friends fight against them and save the family. This fight leads them to a gangster life as they are being targeted by other gangsters and the only way out is for them to stand against them which eventually make them into a Gangster. They become terrifying duo in the locality with some political backup. What circumstances lead to the encounter is the rest of the plot.
Tigmanshu Dhulia has come up with a very intriguing gangster plot where the gangs are formed for friendship, love and honor and not for money. The casting of the movie has been done well and is very convincing. The sequences leading the duo to a gangster life, some harsh take on rogue politicians and the action sequences are made very well. The movie falters in its length. It could have been a very enjoyable one if it had been short in length without the romance portions as it slows down the pace to a great extent in the mid parts. It seems the makers were not convinced themselves in many occasions as certain scenes look disconnected. The movie however does leave a promising plot to create a sequel and there is a chance for the director to revive this brand eliminating the short comings of the current version.
What you would like: The gangster plot, action sequences, cast and dialogues
What you would dislike: Unfitting romance for the story line, disconnected sequences, length of the movie
Overall the movie is definitely enjoyable in parts, if you are a fan of action flicks and gangster stories then go for it. If not you can wait for the movie to be played on TV.
Wait for DVD /TV – unless you are a fan of gangster movies
Irandaam Ulagam – is a Romance and Fantasy Tamil movie released in 2013. The story happens in parallel across two planets Earth and an unknown planet. The unknown planet is inhabited by people who are like humans and still ruled by Kings. There is greed, fear, slavery and war spread over the race and there is absence of Love. The divine mother in the race believes a true love would bring in peace and build culture to the race. Meanwhile in Earth a medical student and a mathematician fall in love. At one point of time the two worlds connect and there is an opportunity to establish true love to the extra-terrestrial race. Was true love established, did it bring in order to their world is the rest of the plot.
Have you ever woken from a dream and thought how strange it was? That is the feeling you would get after watching Irandaam Ulagam. It is a never seen story line and canvas for Tamil Cinema. Selvaraghavan should be lauded for thinking of such a story line and putting in efforts to bring it on screen. Where the movie falters is in the screenplay and dialogues. You talk about true, divine love and hear dialogues of what you would hear in movies like 7G Rainbow Colony, Kadhal Kondaen it kind of creates a clichéd product output. He could have completely avoided that for this movie as it did not fit the bill. The movie doesn’t let you engage with it for long as too many things are happening on screen that is ethereal in nature. It is hard to make films of such demanding visual effects and still make it commercially viable for Tamil Cinema. Unfortunately that is harsh reality and our film makers are caught in this dilemma currently. To make this work, pre-production as a discipline should get well established in the industry to pre-plan and prototype good enough output that is convincing to the audience. This movie has done that to a good extent but they have missed out big time on casting, make up and detailing. Till this is got right there will be a disconnect. Overall the movie has taken the same route as what Baba took, its struggle to tell a compelling message to the audience vs trying to force in commercial elements into it. If you are willing to keep the distractions away and able to see the actual message that has been told and appreciate the efforts of a film maker to bring his dream on to the screen then you should definitely watch this once if not you can skip it.
Note: Please read the review completely before taking a call
Can Skip it – unless you are willing look beyond the on screen performances for the deep message in the movie.