Magic of Premam
Premam (Malayalam movie) has been one of the wholesome entertainers of the year. Though the usual commercial masala elements with some cliched sequences still Premam had an irresistible run at the box office. Post the success of the 70’s blockbuster Sholay someone asked Sippy the secret behind the success of Sholay. He answered movies like Sholay are not made to succeed they just happen. The same analogy could be applied to Premam as well. In this week’s Friday Fundas I wanted to explore some of the facets that made Premam entertaining.
The most appealing element of the movie was about memories. Atleast more than one sequence in Premam would have appealed to you and brought back the memories of your past hidden deep inside your heart. It had some similarities to the movie Autograph by director Cheran. However, Premam was more on a lighter note. The movie is arranged in three phases school life, college life and life beyond college. During the first phase of the movie, more of Macro shots had been used. The movie starts with the shot of a small wall beside the garden which is seen in a typical middle-class household in Kerala. Such type of shots has been used throughout this phase like the jars of the tea shop, close up of the juice in a glass and so on. These shots help in touching one of the five senses in you as I had talked about in Recipe for movies to connect with Audience. The entire gang hanging around in the tea shop, stalking girls, using landline phone to call friends bring back some of the good old memories.
Nivin Pauly’s character George is the pivotal character in the movie. The character arc of Nivin Pauly is done very well across the three phases. A clean shaven look without mustache during the school days, a fully grown beard with a black shirt and white dhoti during the college days and clean shaven with a neatly trimmed mustache look post the college phase brings in a good amount of variation. The innocence in the character during the first scene transitions to a rough and tough look and then transitions to a calm composed look. Nivin Pauly’s body language to depict these transitions is one of the strengths of the movie.
The casting for the heroines has been a big plus. Featuring new actresses who are not from mainstream cinema has worked wonders in connecting with the audience very well. If anyone is planning on a Premam remake, use new faces rather than resorting to actresses who are already well established. This plays a very effective role in connecting with the audience well. A girl next door image helps the audience in associating with the lead character.
The songs were not added just for the sake of adding songs. Although one could argue it had commercial intentions, I felt the songs were cleverly woven into the story giving a musical tone for the film. The songs were also very pleasing and merged with the tone of the movie.
The movie had well-written humour which worked well. The absence of emotional melodrama is a big plus for the movie.
The above are some of the points that worked well with movies. Overall if the script connects with the audience irrespective of it being a commercial entertainer or an off beat film it will succeed.