Pariyerum Perumal Review – Pariyerum Perumal is a Tamil drama released in 2018. Pariyan is a youth from a village who aspires to become a lawyer and joins law school. As he struggles with English, a girl in his class named Jo helps him out with it. But their friendship does not go well with her family as Pariyan is from the oppressed caste.
The movie is very intensive right from the beginning and brings out the darker side of casteism based divide in the society. In the first few minutes of the movie the plot line becomes clear as Pariyan’s beloved dog (Karuppi) becomes victim of the caste based fight. The stereotypical social practices come into light during various scenes in the movie like the one where he sits in the back bench, Different glasses are given in the tea shop based on the caste, People do not sit in the bus near a oppressed caste person, honor killing, Law college not teaching in local language although there is provision for taking exams in the local language. The desperation of folks from oppressed caste not able to lead a simple life by not getting into any fights is depicted well. The closing shot of two tea glasses on the same table is an aspiration from the film maker.
The character of the old man who is a mason and assassin used for honor killings is definitely portrayed very well and brings in thrills in many scenes. The lead actors Kathir and Anandhi have performed well. Yogi Babu brings in some laughs in an otherwise a very serious script. Also he is a character who is the representation of folks who do not mind caste of people while Anandhi’s character is of a person who is ignorant of the whole problem. Each of the characters highlight various facets of the society which is quite brilliant writing. Director Mari Selvaraj backed by Producer Pa. Ranjith definitely scores high in his first movie.
High Point: Very strong script on the prevailing issue of casteism, The script not falling for the stereotypical gangster uprising, the characterization of the lead pairs, the mason and Anand played by Yogi Babu.
Low Point: The raw violence may not suit all audience although the film is rated as suitable for all ages.
Overall Pariyerum Perumal is a hard hitting movie that asks tough questions against the caste based social divide in the society. If you love intriguing realistic drama, then this one is a Must watch for you.
Masss or Massu engira Masilamani Review – Masss is a Tamil supernatural thriller released in 2015. Masss alias Masilamani is a con man. While performing a con operation he and his friend meet with an accident and he starts seeing dead people from then on. He uses this to his benefit to perform more con operations.
It is an out and out Director Venkat Prabhu movie. I say this because post Saroja, Venkat Prabhu has been caught up with very stereotypical predictable, out and out masala movies that bank on the lead protagonist’s star value than any creativity in the story line. I still miss the engaging script, fresh creativity, comical timing he had created in Chennai 600028. Somewhere he has got into the mold of riding on the success of the jokes that had worked then. Excessive usage of same lines and comedy makes it just ordinary sequences. Also he would need to concentrate more on the dialogues. But for a few, most of the dialogues in the movie are very cliched. The only point in time I was very engaged with the script was during the interval block which had been executed well. Post that a lot of loop holes in the plot and continuity becomes a major distraction. A ghost is able to touch and move rods, wood but not able to touch money seems very odd. Many sequences in the movie would remind you of movies like Sixth Sense, Unbreakable, Apoorva Sagodharargal. The main theme of the movie where the protagonist is able to see ghosts is very different and interesting but soon it becomes a 80’s revenge saga script spoiling all the uniqueness it tend to exhibit.
High Points – Difference in the theme for Tamil Cinema, Suriya’s presence, Interval block
Low Points – Repetitive sequences, illogical continuity, below average special effects
If you do not worry about logic and just want to pass time then Masss would not bore you. It is a movie that you could watch on TV when you don’t have anything else to do. On a lighter note, believing in ghosts might be far more realistic than believing in Venkat Prabhu’s movies 🙂
Wait for TV/DVD
Rajathanthiram Review – Rajathanthiram is a Tamil heist movie released in 2015. 3 friends who do petty theft for a living plan on doing a larger heist from a rich jeweler.
Debutant Director A.G Amid has chosen heist as the plot for his movie. Heist plots has the potential of creating a very interesting and engaging screenplay. However the element of surprise and twist should be placed very smartly enough for the audience to be enthralled as the movie ends. If this is not done well then any heist movie would fail badly. Rajathanthiram manages to keep the interest going on. Although the audience know there would be a twist in the end but still the script keeps you engaged with it as how it is done is kept as a well maintained secret in the film. The movie also works well in most of the parts in moving the pieces together. The acting levels of the lead actors are not of top notch as many of them are new. Still they put up a show that is decent enough to make it an entertaining watch. The comedy blends in well with the story and helps in moving the story ahead. Regina is underutilized and serves only as an eye candy in the film rather than how the promos of the movie had tried to portray her. The director should be appreciated for his sincere first attempt with a limited budget yet giving a decent output.
High Points: Heist plot, Comedy in the screenplay, the final heist sequence is entertaining to watch.
Low Points: Predictable plot line and novice acting skills
Overall Rajathanthiram may not be that brilliant heist movie that would blow your mind off but it is a movie that would definitely serve as a light hearted entertaining watch any time.
I Review – I is a Tamil romantic thriller released in 2015. A deformed, ugly looking man kidnaps a top advertising model on her wedding day and keeps her as a hostage in an unknown location. To her surprise he gets her favorite food and favorite clothes. Who is he why has he kidnapped her is the plot of I.
I is a show that is dominated heavily by Vikram’s brilliant performance and Shankar’s imagination. It is not a usual Shankar’s movie you would see. It has a different treatment than rest of his films. The first half in particular is more on the romance side and the second half is a thriller. Vikram has completely transformed himself for the three different phases of the movie. He has given his heart and soul for the movie. Be it the happy go lucky body builder, the remo-ish looking model or the hunch pack character he has fit in the bill of all these with ease and you would enjoy his performance throughout. Amy Jackson looks so beautiful in every frame and of course she has tried acting. The length of the movie is 189 minutes long which is definitely a negative point for the movie. The sequences in China in particular are very dragging and monotonous. Apart from PC Sreeram’s camera capturing the beauty of China there is nothing much to look forward to in this part. Probably this where Shankar might have missed Sujata to a great extent, the duo had created so many entertaining first halves. Around the interval phase the movie picks up momentum and from here on it transforms itself into what we call a Shankar’s movie. You would understand this once you see the movie.
High Points: Vikram’s performance and the struggle he had gone through in shaping himself for the roles is commendable and as he transforms there is a huge applause from the audience, Shankar’s imagination is outstanding the way he has structured the scenes, visuals and emotions are brilliant. He has literally taken a character that everyone would hate for its look and transformed into something the audience would cheer for, Songs are pleasant to watch with Ennodu Nee Irundhaal being the epitome of all of them, Stunt choreography is done very well as with any other Shankar’s movies. A R Rahman’s score fits well for the story.
Low Points: The length of the movie, the drag in the portions shot in China
Overall I may not be a path breaker in Indian Cinema but an effort that would be laudable for the performance, direction and visual effects. If you go with an very open mind you would enjoy it. I is beauty in acting, beauty in direction, beauty in visuals, beauty in music and a beauty in films.
Must Watch –Go for it
Aal Review – Aal is a Tamil action thriller released in 2014. This movie is an adaptation of the Hindi movie Aamir released in 2008. Amir is settled well in his life happily. But one day he finds his family held as a hostage and he would need to follow instructions from some unknown person on phone to save them.
The movie states itself to be an adaptation of the Bollywood movie which is good and if you have seen the original you know what to expect from this movie. However there have been some minor variations in this script. The plot of the movie itself would connect only to a niche audience. If you see from the plot perspective and how the movie is executed it has been done well. Debutant director Aanand Krishna has done a good job with the adaptation. The most striking feature of the movie is the environment in which it is shot. It covers many of the below poverty line locality where the meaning of life is much different than the one you see in the middle class or upper middle class locality. This is very apt to suit the mood of both the movie and the main protagonist who is a middle class person. The movie opens at Elephant Gate (Yaanai Kavuni) in Chennai where a chase sequence is shown. This is done very well. So is the entire Chennai portion of the movie which is covered in similar areas.
Vidharth has done justice to his character. He looks stylish in this movie and as the movie builds up his character transforms into a desperate, confused individual. Songs are few in this movie and good that they haven’t used it during the main portion of the movie which otherwise would have been a major distraction. The love angle to Vidharth doesn’t seem to fit very well and barely has a significant connect to the plot. The dialogues are just about average. For a script of this stature some powerful dialogues could have proved to be a plus point.
Overall Aal is a decent adaptation of its original. But for a few flaws the movie is definitely gripping and the way the environment itself is used as a character in the movie is very good. You can watch this one at home.
Wait for DVD/TV
Nee Naan Nizhal Review – Nee Naan Nizhal is a Tamil crime thriller released in 2014. A serial killing of five Indian origin people in Malaysia starts of a investigation by the Malaysian police. The five murdered individuals do not have anything in common but for a common facebook friend.
The movie definitely has a strong plot and an underlying social message around cyber-crime. This is the first movie for director John Robinson and kudos to him for taking up a good plot. The first half of the movie is very sluggish. The songs could have been avoided as they slow down the pace of the movie. The entire Coimbatore episode surrounding the five friends seems out of place for the movie. The forced comedy sequences involving MS Bhaskar does not make you laugh. The director could have used this time and space to increase the complexity of the knot. For any investigative thriller to be very effective it is very important to build knots and making the case look unsolvable leading up to the climax where the knot is removed and the surprise is revealed. Nee Naan Nizhal has missed out on this despite having a great potential for a gripping thriller. The story picks up from the interval block. Sarathkumar and Manoj K Jayan are good choice for the supporting roles. Again building on their characterization would have made it even more interesting. The use of comic style animation to narrate the flashback is very effective. This is now been adopted by many of the new age film makers. Given the restrictions of the Indian censor board this definitely is a very effective alternate medium for conveying the intensity of the problem.
If you are able to sit through the sluggish first half of the movie you might enjoy the second half which forms the meat of the story. Overall the movie is watchable at home for its plot.
Wait for DVD/TV – for its plot