Tag Archives: Jack Nicholson

Method Acting

Method Acting

When watching a movie how well you connect with the characters. While we have discussed many factors in screen writing and characterization in the previous Friday Fundas we would look at acting performance by the actor itself. Even though the characterization and environment are perfect if an actor does not act convincingly audience would find it to be clichéd and not connect with it. There are many theories on acting. In this week’s Friday Fundas we would see once such theory which is popular in acting technique known as Method Acting.

Method acting in short relates to a group of techniques using which the actors get into the shoes of the characters they play by establishing an emotional connect with them. These techniques are based on the teachings and concepts of Constanin Stanilavski. His ideas had been adapted by many prominent teachers like Lee Strasberg, Robert Lewis, Sandord Meisner and Stella Adler.

Lee Starsberg’s method acting involved in the use of sensory and affective memory of the actor to bring out the character. He used techniques which involved the actors in imagining a similar emotional situation in their personal life and then enacting it on the screen. Starsberg used the question “What would motivate me, the actor, to behave in a way the character does?”

Sanford Meisner used a different technique in which he devised a technique called as Meisner technique. In this he advocates the actors to immerse themselves in the moment. He found just relying on their personal experiences is very limiting and only allows them to only focus on themselves but not on other characters on the set. His technique helped in overcoming this aspect. He used to run exercises that would enhance the interpersonal connect of the answers in a scene.

Robert Lewis believed the acting cannot be just bought out by focusing on the emotional act but it also involved in training the voice that would suit to the situation. If these are trained separately the output may not be effective.

Stella Adler was an actress herself and she had some of the actors who went onto become some of the greatest actors including Marlon Brando, Robert De Niro and Warren Beaty. She trained directly under Stanilavski which helped her in perfecting the technique a lot better. In her Method acting technique she used the personal memories of the actors as did Starsberg. But along with this she let them practice on creating an “as if” imagination. The actors had to imagine as if they were really in the given situation. This helped them in bringing out the emotions very effectively.

Some of the famous actors who practiced this technique are Christian Bale, Jack Nicholson, Marilyn Monroe, Danny Day Lewis, Al Pacino, Heath Ledger and many more. Not only Hollywood actors but also many of the Indian acting stalwarts like Kamal Haasan, Mammootty, Dilip Kumar and Naseeruddin Shah practice this technique. Now you would be able to appreciate the efforts Heath Ledger has put in for the Joker character much more.

An actor needs to do a lot of homework to get the act right if not the audience would not connect with the character and with the movie.

Character Arc

Character Arc

A gruesome villain who has been torturing people all throughout changes his mind and seeks apology just before the curtain falls. Well this might be a scene that you might have seen in many movies. Few of them would have been convincing and few other leave you wondering what changed his mind. Well the various phases a character traverses through in a movie is called a Character Arc. In this week’s Friday Fundas we will understand Character Arc.

In the movie “As good as it gets” the character played by Jack Nicholson is that of a man with obsessive compulsion disorder. As the movie traverses his character undergoes modification and reaches a point where he would have to overcome his fear to get the love of his life. In the early scenes of the movie you see him walking on the platform without placing foot on the joining lines of the tile and in the climax scene you see him walking normally with his girlfriend. The Character Arc of the character traverses from a man deeply troubled with OCD symptoms to a changed man who overcomes his inhibitions. There are various points in the narrative which consists of incidents or turning points that impacts the nature of the character. How well these incidents are placed and convincing would also convince the audience about the transformation to the character and also makes them glued to the character.

Usually in a three act structure the character is established in the first act. The second act is divided into two parts. In the first part the villain or the situation that the hero is averse of chases to such an extent that the hero reaches a breaking point and starts changing. Now in the second part the hero chases the villain or the adverse situation. The plot deepens, gets complicated and reaches a point which seems to be a point of no return. At this juncture at the beginning of the last act the hero makes decision which transforms the character into a new self.

Character Arc showing transformation of Rajinikanth's character in Shivaji
Character Arc showing transformation of Rajinikanth’s character in Shivaji

Let us look at this with the help of an example. In the Tamil movie Shivaji the lead character played by Rajinikanth is a computer architect who returns to India for good. He wants to bring in positive change to the society by offering low cost education. However he is pushed down to the streets by the villain. In the mid-point which is the breaking point he tosses a coin to decide if he would have to fight against the situation or not. This is the first transformation of the character. In the second half he fights against the villain and reaches a point where his life is threatened. In the last act he comes in a new avatar and takes over the villain to establish truce.

A Character Arc can be either positive or negative. In the case of Shivaji the arc was positive as it resulted in the character emerging victorious at the end. In the case of Tamil movie Nanda the character dies at the end there by going through a negative arc.

Whichever way the character arc goes the transformation of the character should be in line with the events for it to be convincing. If not audience would be disconnected from the character.

Now if you can think of some of the characters you remember well in the movies you have watched you would notice that their character arc has been very well done.

Related: Friday Fundas Archive

The Departed

The Departed – This is 2006  movie directed by Martin Scorsese.  It is a crime thriller where a police superintendent makes one of the new recruit to infiltrate the  drug trafficking gang. While the boss of the gang simultaneously makes one of the gangster infiltrate the police department. With moles in each group the plot gets interesting when both the boss and the police superintendent figure out the existence of moles in each of their groups. The rest of the movie is a race between them to uncover the moles faster than the other so that their own person in the other group is protected. What happens in the end is the rest of the plot. This movie is a remake of the 2002 Hong Kong movie Infernal Affairs.

The movie has a very close resemblance to the original, including many of the camera angles. For a director like Martin Scorsese to do this, you know how well the original has been made. Like the original this also follows the 3 Act Play to the book as mentioned in my recent Friday Fact section. The movie has some brilliant casting with Matt Damon, Leornado DiCaprio, Jack Nicholson, Martin Sheen and Mark Wahlberg. The movie just gets much bigger due to its cast ensemble. Kudos to Martin Scorsese to bring such a movie again back to the screen with strong casting a true tribute to the original. The Departed went on to win the Academy Award for the best picture. For the brilliant casting and narration this is a must watch.

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