Tag Archives: Nanda

Character Arc

Character Arc

A gruesome villain who has been torturing people all throughout changes his mind and seeks apology just before the curtain falls. Well this might be a scene that you might have seen in many movies. Few of them would have been convincing and few other leave you wondering what changed his mind. Well the various phases a character traverses through in a movie is called a Character Arc. In this week’s Friday Fundas we will understand Character Arc.

In the movie “As good as it gets” the character played by Jack Nicholson is that of a man with obsessive compulsion disorder. As the movie traverses his character undergoes modification and reaches a point where he would have to overcome his fear to get the love of his life. In the early scenes of the movie you see him walking on the platform without placing foot on the joining lines of the tile and in the climax scene you see him walking normally with his girlfriend. The Character Arc of the character traverses from a man deeply troubled with OCD symptoms to a changed man who overcomes his inhibitions. There are various points in the narrative which consists of incidents or turning points that impacts the nature of the character. How well these incidents are placed and convincing would also convince the audience about the transformation to the character and also makes them glued to the character.

Usually in a three act structure the character is established in the first act. The second act is divided into two parts. In the first part the villain or the situation that the hero is averse of chases to such an extent that the hero reaches a breaking point and starts changing. Now in the second part the hero chases the villain or the adverse situation. The plot deepens, gets complicated and reaches a point which seems to be a point of no return. At this juncture at the beginning of the last act the hero makes decision which transforms the character into a new self.

Character Arc showing transformation of Rajinikanth's character in Shivaji
Character Arc showing transformation of Rajinikanth’s character in Shivaji

Let us look at this with the help of an example. In the Tamil movie Shivaji the lead character played by Rajinikanth is a computer architect who returns to India for good. He wants to bring in positive change to the society by offering low cost education. However he is pushed down to the streets by the villain. In the mid-point which is the breaking point he tosses a coin to decide if he would have to fight against the situation or not. This is the first transformation of the character. In the second half he fights against the villain and reaches a point where his life is threatened. In the last act he comes in a new avatar and takes over the villain to establish truce.

A Character Arc can be either positive or negative. In the case of Shivaji the arc was positive as it resulted in the character emerging victorious at the end. In the case of Tamil movie Nanda the character dies at the end there by going through a negative arc.

Whichever way the character arc goes the transformation of the character should be in line with the events for it to be convincing. If not audience would be disconnected from the character.

Now if you can think of some of the characters you remember well in the movies you have watched you would notice that their character arc has been very well done.

Related: Friday Fundas Archive

Athithi

Athithi – is a Tamil suspense thriller released in 2014.  Madhiazhagan, Vasuki and their kid lead a very happy life. One day they give lift to an unknown person in their car and things take an unusual turn. They learn their daughter is being held hostage and they are held hostage in their car and are forced to do things the stranger demands.

The movie is mostly engaging in parts and the plot promises to be an edge of the seat thriller. The premise for the whole story is a very promising one and when the story reaches its main premise you would find this to be a very engaging movie and would demand your attention. However the situations leading to the main plot is not buildup well. Due to this what could have been a very engaging movie falls short. The buildup of characters is disconnected to the main plot. There have been deliberate attempts to distract the audience from finding out the motive. In the end as it is not related they seem to be out of place for the story. During the abduction episode in many places the real panic, fear and hurry is not seen with the characters which is not a natural reaction. The scene in which Nanda has to leave a suitcase in the bus stand within 20 minutes, the whole sequence is very relaxed and does not thrill. The comedy portion and songs in the movie is a wholesome distraction to the genre of the movie. Director Bharhathan has tried to stuff in messages against the economic differences in the society which is not needed. The movie needed a bold ending to create an impact but ends up with an average ending.

Overall this one is definitely engaging in parts and can be watched at home if you have nothing else to watch.

Wait for DVD/TV – for a promising premise