Tag Archives: Kamal Hassan

Thoongaa Vanam Review

Thoongaa Vanam Review – Thoongaa Vanam is a Tamil action crime thriller released in 2015. This is an official remake of French movie Nuit Blanche. CK Diwakar an officer in Narcotics Control Bureau along with his colleague steal drugs from a smuggling gang to make some quick money. The boss of the smuggling gang kidnaps Diwakar’s son and demands him to return the stolen drug.

Kamal Hassan demands a greater deal of maturity from the viewers for he had taken a script and stuck to the core theme of the script. He hasn’t taken any time to explain what NCB is. Hasn’t wasted time in introduction scene, songs and comedy track. The movie gets on track right from the first frame which opens on a hazy windshield with the evergreen Chandrababu song “சிரிப்பு வருது சிரிப்பு வருது…” playing in the radio. Even the character background of Kamal is revealed only later in dialogues during his first interaction with Prakash Raj. Kudos to Kamal, Director Rajesh M Selva and team for taking a script and staying in the perimeter of its true essence.

The next biggest strength of the movie is its cast. Prakash Raj, Trisha, Sampath Raj, Yugi Sedhu and Kishore all of them fit their roles very well. Kamal has performed his role at ease. The chemistry between him and his son reminds us of Uttama Villain. The trademark Kamal’s humor sprinkled in the dialogues in many places of the movie.

High Points: A different attempt in Tamil Cinema breaking some of the commercial formula, casting, action sequences.

Low Points: The original script itself has been witnessed in many crime thrillers and it lacks pace in the first half.

Overall Thoongavanam is a much-needed break for Tamil Cinema. It doesn’t aspire to be a milestone in Indian Cinema but a sincere attempt to give a good cinema to the audience.

Worth a Watch

 

Uttama Villain Review

Uttama Villain Review – Uttama Villain is a Tamil comedy drama released in 2015. Manoranjan is a leading actor in the film industry and takes everything in his life for granted. When he learns he is suffering from brain tumor and will die soon he tries to set everything in his dysfunctional life.

Well many of you might have already seen the movie. And it did not get great reviews across from the box office. I liked whatever Uttama Villain had to offer. It is a very bold move by Kamal Hassan to act and produce such a movie. If you are expecting a commercial movie on the lines of Panchathanthiram, Sathi leelavathi and go in then you are in for a great disappointment. The movie is much different than many of the main stream cinemas you see today. If you are able to identify this difference then you would enjoy Uttama Villain. The most impressive part is the film within the film and the story narrated in it. It is very intelligent humor savored in the recipe of a fairy tale. If you set aside everything else in the movie this part alone is very much enjoyable. The performance of the artists in particular Kamal Hassan and Nasser is commendable. The movie draws a stark contrast of the actor’s real life and the reel life. The title is apt in this way, An idealistic hero and a role model for many on the silver screen (Uttaman) is in reality leading a dysfunctional life (hence Villain).  Although Kamal for the sake of the screenplay tries to explain the Villain term as “Toxophilite” (one his good at Archery, villalan), the deep meaning is very different. Kamal’s performance is very good and he does the characters with ease and a natural flair. The presence of K. Balachandar playing the role of a director is a master stroke and a fitting tribute to the Legend himself. As the movie shifts between the reel life and real life there is a strong contrast drawn at every shift. The fact that an immortal hero on screen is dragged into mortality in the real life is shown very well at every cut in the movie shoot. The movie does not carry any moral or social message but a pure drama exploring two ends of a spectrum. The art work for the sets and the make-up is a great plus for the movie. The dance sequence in the climax is made brilliantly.

Where the movie has failed to connect with the audience is the way it had been promoted and positioned. If Kamal Hassan had prepared the audience for a drama then it would have worked better. Kamal deserves applause for not falling into the trap of any stereotypical storyline. He has tried to explore the next level in cinema. Director Ramesh Aravind deserves a special mention for directing the movie so well.  Another item that would definitely catch your attention is the sound recording. It is so good and very immersive in nature. The hard work had paid off.

High Points: Kamal’s acting performance, Fairy tale storyline for the film within film, Experimental value, Sound recording and direction

Low Points:  Length of the movie is tad bit long, May not appeal to everyone, People expecting a slap stick comedy would be disappointed

Overall if you are in mood for a new wave cinema which explores different dimensions then you would love Uttama Villain. If you are looking for a commercial entertainer then this one is not for you.

Worth a Watchonly for lovers of new wave cinema

An affair to remember… Ninaithale Innikum!

An affair to remember… Ninaithale Innikum!

Every movie lover would have an artist behind to spark the love for movies. For me it is KB Sir.

Director K Balachander gave meaning to the title Iyakkunar Sigaram (Summit of Directors). He had learnt so many rules of making a good screenplay that he can break them with ease to stand apart from the crowd and be a trail blazer for the Tamil film Industry. Many say his loss is irreplaceable but I feel he is immortal and would live through his movies.

When the entire film industry was making stories on the Kings, the riches or about the people below poverty line KB Sir came in and created an exclusive identity for middle class in his movies. This might be one of the reasons for a wider appeal to his movies. The conflicts established by him in each of the stories were unique. He started with writing and directing stage plays. With a great reluctance he took the opportunity for writing screenplay for movies and later fell in love with it that he started to make his famous stage plays as movies. You would see this in his early movies like Neerkumizhi (water bubble) in 1965, Ethir Neechal 1968(Swim against the tide), Major Chandrakanth and so on. If you see most of these movies would be a single set movie with very few scenes shot elsewhere. As people started seeing these movies they felt it was way different than the movies they had been watching and they were slowly beginning to realize the role of a director in movies. Till then what seemed to be a MGR movie, Sivaji movie now there were new type of movies addressed as Director Balachander movies. He became the role model for many directors to come later.

One of the iconic movies directed by him is Aboorva Raagangal in 1975. The movie features Kamal Hassan and introduced a new actor Shivaji Rao rechristened as Rajinikanth. Both of them later went on to take the Indian film industry by storm. Aboorva Raagangal dealt with intergenerational romance between two families which was quite a controversial topic during that era. But it went on to win 3 National Awards. Post this KB sir had directed many movies with Kamal Hassan and Rajinikanth in the lead which included Avargal, Moondru Mudichu and Ninaithale Innikum.

Music used to play a significant role in his movies. Aboorva Raagangal was divided into chapters, which were named after a swara or raagam. Ninaithale Innikum was a full-fledged musical which also dealt with a genre of mystery and romance. You would see the prominence of music in his later movies like Sindhu Bhairavi, Unnal Mudiyum Thambi, Azhagan, Pudhu Pudhu Arthangal and many more. Music in most of his movies were composed by M.S Viswanathan. In Sindhu Bhairavi he joined with Ilayaraja. He had introduced A R Rahman in his production venture Roja directed by Maniratnam. A R Rahman also composed music for the movie Duet directed by KB sir.

KB sir emphasized on the empowerment of woman in most of his movies. His lead women characters right from Avargal, Arangetram, Sindhu Bhairavi, Achamillai Achamillai, Kalki were bold, forward looking and very powerful.

He used metaphors predominantly in his movies. These were fondly referred to a directorial touch in Tamil Cinema. There also used to be a character which is insignificant in the gamut of the plot but plays crucial role in emphasizing a point, mood or the gravity of a situation in his movies. Rajinikanth’s character in Aboorva Raagangal, Irumal Thaatha in Ethir Neechal, the dumb and deaf painter in Varumayin Niram Sigappu, Telephone in Azhagan, Chaplin uncle in Punnagai Mannan and many more are examples of this. He had also given some great comedy movies like Bhama Vijayam and Thillu Mullu in which he had experimented Rajinikanth playing a full-fledged comedy role. This had introduced a different dimension of Rajinikanth which is still exploited well by many directors.

KB sir had dealt with many genres of movies, his initial movies were centered around family drama, later he shifted to social drama which covered impact of society on people’s lives, he also has given some of the gems in romance genre which included Marocharitra in Telugu, Ek Dujhe Ke Liye in Hindi, Punnagai Mannan.
KB sir is a true king maker. He had not only made the two star waltzes Rajinikanth and Kamal Hassan but also had rediscovered Nagesh as a character artist, introduced Prakash Raj and many more. He is so spontaneous and appreciates good art in any form. Once he sees a good movie he took time to write an appreciation note to the director who had made the movie.

Truly KB Sir is a film maker that everyone would wannabe. His affair with cinema will always be sweet memories … taking with lyrics from one of his movies … it is An affair to remember … Ninaithale Innikum!

Ninaithale Inikkum

Ninaithale Inikkum – a romance drama and musical in Tamil released in 1979. Chandru is a lead singer in a music troop. They fly to Singapore for a program where he meets Sona a girl whom he falls in love with. But Sona behaves unpredictably, sometimes she reaches out to Chandru and at times she ignores him. What is the mystery behind her behavior? Was Chandru able to win her heart? is the rest of the plot.

Kamal Haasan, Rajnikanth and Jayaprada in the lead roles, K. Balachander directing the film, MS Viswanathan and Kannadasan combo for the music and lyrics, Sujatha penning the story and screenplay, today it sounds like a dream combination and it would create a huge expectation among the audience. Such was the magic of Ninaithale Inikkum although released 34 years ago. The movie was different in many ways and got a cult status of its own. Kamal Haasan and Jayaprada had a lot of scope for acting, Rajnikanth known for his style and action, filled in for the full length comedy track and support role. The movie was a musical treat with some ever green foot tapping numbers. It stayed true to its claim of being a musical by having the only action fight sequence in the movie also been played as a song. The movie had a theatrical re-release recently. Overall the movie is a must watch for having such a star studded team and still staying up to the expectation.

Must Watch

Some of the memorable moments from the movie that still makes it evergreen and stand out

Rajni Kamal
Kamal Hassan and Rajnikanth Sharing the screen space for the last time.

 

KB Kamal & Rajini
K. Balachander again proving to be the master who apart from his movies has given two great stars in Kamal and Rajni to Tamil Cinema
Jayaprada
Kamal and Jayaprada’s onscreen chemistry and Jayaprada’s changing hair dos in the movie adding to the mystery.
Rajini On Guitar
Rajni on Guitar – Only after seeing Santana recently I believed someone could actually play the guitar that way 🙂
Kamal
The evergreen songs that was soul to the movie.
Rajini Throwing Cigarette
Rajni’s comedy sequences
(1) Rajni having a bet for throwing the cigarette in the air and holding it in his mouth for ten consecutive times.
(2) Rajni trying to decode the address from the garbled message in the tape recorder.

Wish someone is able to recreate the such a magic again… Till then this movie would be a sweet memory (Ninaithale Innikum)!