Tag Archives: Ninaithale Innikum

Parandhu Sella Vaa Trailer

Parandhu Sella Vaa Trailer – Parandhu Sella Vaa is a Tamil romantic comedy film set to be released in 2016. The movie released their audio and trailer last week in Singapore. A befitting event for a movie that has been shot in Singapore.

During my childhood days my dad took me to the Tamil movie Ulagam Suttrum Valiban. He wanted me to experience the visuals of foreign locations on a big screen. I was definitely thrilled by it. The trailer of Paranthu Sella Vaa reminded me of that feeling.

The movie is directed by Dhanapal Padmanabhan after his successful first outing with Krishnaveni Panjaalai. The trailer has some witty dialogues and establishes what we can expect from the movie. What impressed me most was the visuals of Singapore. The trailer opens with a beautiful top view of Singapore Flyer and transitions to the same scene lit in the night. This visual spectacle continues through the trailer. It promises to be a visual treat.

The music is composed by Joshua Sridhar. We haven’t seen much from this talented music composer after Kaadhal. This seems to be marking his comeback with his forte of romantic songs.

The cast ensemble is impressive for the genre. With RJ Balaji, Satish and Karunakaran it should have enough to be a rib-tickler. The main protagonist is Luthfudeen (son of actor Nasser). We are seeing him onscreen after his role in Saivam. Aishwarya Rajesh plays the female lead. Addition ofNarelle Kheng a popular artist from Singapore band adds more color to already colorful cast.

It has been quite a while where a foreign location has been a significant part in a Tamil movie. This trend is picking up again with movies like Parandhu Sella Vaa and Kabali shot in Singapore and Malaysia. I am looking forward to a visual spectacle combined with some good humor in Parandhu Sella Vaa. If you haven’t watched the trailer watch it now and share your opinions in the comments section.

 

An affair to remember… Ninaithale Innikum!

An affair to remember… Ninaithale Innikum!

Every movie lover would have an artist behind to spark the love for movies. For me it is KB Sir.

Director K Balachander gave meaning to the title Iyakkunar Sigaram (Summit of Directors). He had learnt so many rules of making a good screenplay that he can break them with ease to stand apart from the crowd and be a trail blazer for the Tamil film Industry. Many say his loss is irreplaceable but I feel he is immortal and would live through his movies.

When the entire film industry was making stories on the Kings, the riches or about the people below poverty line KB Sir came in and created an exclusive identity for middle class in his movies. This might be one of the reasons for a wider appeal to his movies. The conflicts established by him in each of the stories were unique. He started with writing and directing stage plays. With a great reluctance he took the opportunity for writing screenplay for movies and later fell in love with it that he started to make his famous stage plays as movies. You would see this in his early movies like Neerkumizhi (water bubble) in 1965, Ethir Neechal 1968(Swim against the tide), Major Chandrakanth and so on. If you see most of these movies would be a single set movie with very few scenes shot elsewhere. As people started seeing these movies they felt it was way different than the movies they had been watching and they were slowly beginning to realize the role of a director in movies. Till then what seemed to be a MGR movie, Sivaji movie now there were new type of movies addressed as Director Balachander movies. He became the role model for many directors to come later.

One of the iconic movies directed by him is Aboorva Raagangal in 1975. The movie features Kamal Hassan and introduced a new actor Shivaji Rao rechristened as Rajinikanth. Both of them later went on to take the Indian film industry by storm. Aboorva Raagangal dealt with intergenerational romance between two families which was quite a controversial topic during that era. But it went on to win 3 National Awards. Post this KB sir had directed many movies with Kamal Hassan and Rajinikanth in the lead which included Avargal, Moondru Mudichu and Ninaithale Innikum.

Music used to play a significant role in his movies. Aboorva Raagangal was divided into chapters, which were named after a swara or raagam. Ninaithale Innikum was a full-fledged musical which also dealt with a genre of mystery and romance. You would see the prominence of music in his later movies like Sindhu Bhairavi, Unnal Mudiyum Thambi, Azhagan, Pudhu Pudhu Arthangal and many more. Music in most of his movies were composed by M.S Viswanathan. In Sindhu Bhairavi he joined with Ilayaraja. He had introduced A R Rahman in his production venture Roja directed by Maniratnam. A R Rahman also composed music for the movie Duet directed by KB sir.

KB sir emphasized on the empowerment of woman in most of his movies. His lead women characters right from Avargal, Arangetram, Sindhu Bhairavi, Achamillai Achamillai, Kalki were bold, forward looking and very powerful.

He used metaphors predominantly in his movies. These were fondly referred to a directorial touch in Tamil Cinema. There also used to be a character which is insignificant in the gamut of the plot but plays crucial role in emphasizing a point, mood or the gravity of a situation in his movies. Rajinikanth’s character in Aboorva Raagangal, Irumal Thaatha in Ethir Neechal, the dumb and deaf painter in Varumayin Niram Sigappu, Telephone in Azhagan, Chaplin uncle in Punnagai Mannan and many more are examples of this. He had also given some great comedy movies like Bhama Vijayam and Thillu Mullu in which he had experimented Rajinikanth playing a full-fledged comedy role. This had introduced a different dimension of Rajinikanth which is still exploited well by many directors.

KB sir had dealt with many genres of movies, his initial movies were centered around family drama, later he shifted to social drama which covered impact of society on people’s lives, he also has given some of the gems in romance genre which included Marocharitra in Telugu, Ek Dujhe Ke Liye in Hindi, Punnagai Mannan.
KB sir is a true king maker. He had not only made the two star waltzes Rajinikanth and Kamal Hassan but also had rediscovered Nagesh as a character artist, introduced Prakash Raj and many more. He is so spontaneous and appreciates good art in any form. Once he sees a good movie he took time to write an appreciation note to the director who had made the movie.

Truly KB Sir is a film maker that everyone would wannabe. His affair with cinema will always be sweet memories … taking with lyrics from one of his movies … it is An affair to remember … Ninaithale Innikum!

Over the shoulder shot

Over the shoulder shot is a filming technique in which a shot is taken in an angle that is gazing onto the character from over a shoulder of a different person with whom the subject is talking to. The back of the person, shoulder and the head is used as a frame the image of the scene. Although this sounds simple a lot of planning needs to go before this shot is taken like which side of the frame should the shoulder occupy and how much it should occupy so that the relevant emotions of the character in focus is shown.

This shot is very useful when you need to have the character not focusing into the camera and delivering a dialogue. Having the shoulder of the other person in the frame also intensifies the interaction between the two characters. Maniratnam had used this technique to a great extent in the movie Thalapathy for the interactions between Mamooty and Rajnikanth. It places equal importance between the two characters and also exemplifies a high degree of emotion.

Thalapathy
The scenes of interaction between Mamooty and Rajinikanth were mostly taken as over the shoulder shot

Maniratnam had also used this in Nayagan to show Kamal Hassan’s reaction for his grandson’s question “Neenga Nallavara Kettavara” (Are you a good person or a bad person) over the shoulder of the kid. K Balachandar had used this in many of his movies to highlight the emotions in the face of the main character and also to intensify the scene. The following still from Ninaithale Innikum is an example of it.

Jayaprada
Over the shoulder shot to intensify the interaction between two people.

It could simply be used to change the point of perception or to focus the attention on the main character in the scene. The following scene in the movie God Father is an example of this where over the shoulder shot is used to reinforce the presence of other people in the room and also focus is given more on Don who watches out of the window. The object of focus is in the center of the frame avoiding distractions from the right half enhances the focus on the action of the character.

God Father
Over the shoulder shot used in God Father to change the point of perception and avoid distractions

This can also be used for hiding the identity of the character like an unknown person not relevant to the plot talking to the main character or a mysterious person talking whose identity may be revealed later.

A simple and ordinary scene can be made interesting through the angle of the shot. The skill of the director and the cinematographer is involved in choosing one from a varied set of options for the camera angle. Over the shoulder shot is definitely a powerful one which has been used very aptly by many great film makers. Next time you watch a movie watch out for the camera angle in which a shot is taken.