Ip Man Review

Ip Man Review – Ip Man is a semi biographical Hong Kong film released in 2008. The film is loosely based on the life of Yip Man a grand master of the martial art Wing Chun.  Yip Man also had been the mentor of the Kung Fu Legend Bruce Lee.

The film covers the events of Yip Man’s life between 1930 and 1940. This was the period of the Sino Japanese war and China was undergoing a major struggle. Donnie Yen has performed brilliantly as Ip Man. His stunt moves are great watch. Overall the stunt choreography of the film is done very well. If you are a fan of martial arts movies you would love this. The story has given more importance to martial arts and how it was perceived by many after the era of Shaolin temples. The art was fading away and people knowing only the art were still not seen as responsible compared to a business man. This is seen in many occasions in the film where one of his friend says he had been thinking for what use is the martial arts and also at one point Ip Man himself says he just know martial arts and no work. The film also glorifies Chinese martial arts which teach compassion and not punishing people unduly. The first half of the film deals with the culture of the city of Foshan which is a martial arts hub in Southern China. The second half has a strong contrast where in life becomes difficult after the invasion of the Japanese. The characterization and buildup of Ip Man is done very well and your respect and awe for him grows as the movie progresses. The scene in which he enters the martial arts training ring of Japanese soldiers and tells he would fight ten people is a high point in the movie. Credit goes to Director Wilson Yip for creating a story that is compelling. Lot of creative liberties has been taken to make the movie dramatic and it has worked well.

Overall if you love martial arts movies this one is a must watch for you.

Must Watch – for all martial arts fans

180 Degree Rule – Can I cross the line?

180 Degree Rule – Can I cross the line?

Let us consider you are watching a movie and there is a scene which shows a car running at a considerable speed. You see the car entering the left side of the frame and exit on the right side of the frame on a highway background. But now in the next shot without any transition you see the car entering the right side of the frame and exit on the left side. What would you feel? Would you feel disoriented in figuring out which side the car is going? And if the car is actually moving forward? Well to avoid this phenomenon the film making process has framed a guideline called as the 180 degree rule.

180 degree rule is going to be the topic for this week’s Friday Fundas. 180 degree rule refers to the spatial relationship between the characters on screen. Let us look a setup in which two characters are conversing with each other. There is an imaginary line called the axis that connects the two characters. As depicted in the figure below the camera could be placed on either side of this line. This is denoted by Camera A and Camera B.

180 Degree Rule
180 Degree Rule

The shots as taken by the Camera A and B are shown in the illustration of Shot A and Shot B respectively. You would see based on which side the camera is the characters left and right position changes. For instance the green person is on the left in shot A while in shot B he is on the right. If the scene involves dialogue between the two characters and then it is advised to keep the camera on one side of the 180 degree axis line. The camera can move to any position within the side but cannot jump over to the other side. If it jumps over to the other side then it causes the audience to get disoriented like our example on the car scene.

If the shot after the original shot has the camera on the other side of the line then it is called as the Reverse cut. This usually disorients the viewers and their ability to connect to the visuals is lost. However many directors have broken the 180 degree rule to give more conveying newer meanings. These are part of the new wave film making. At most care should be taken when breaking this rule. Some of the directors who had broken this rule and succeeded are Stanely Kubrick (Shining), Peter Jackson (Lord of the Rings) and the Wachowskis (The Matrix).

The Matrix Bullet Time
The Matrix Bullet Time

In the movie The Matrix the bullet time technique is used and while crossing the line the frame is frozen on that time and the logical arrangement of cameras produces a continuous motion to cross the line there by adjusting the orientation of the viewers as well. Many film makers use a buffer shot while crossing the line. The buffer shot would involve a shot along the 180 degree line which separates the two sides. This minimizes the jolt and help in re-orientation of the audience.

Gollum
Gollum

In the movie Lord of the Rings, The Two Towers, Peter Jackson has crossed this line to show Gollum’s split personalities of the good and the bad. The shots in which the Gollum is speaking good, he is on the right side while the shot in which he speaks evil, he is on the left side.

180 degree rule is not a hard and fast rule but film makers should give due respect to this and use this diligently to produce a visual connect for the audience with the movie.

Read other Friday Fundas

Oru Oorla Rendu Raja Review

Oru Oorla Rendu Raja Review – Oru Oorla Rendu Raja is a Tamil action comedy released in 2014. Azhagu and Michael are jobless youths who meet doctor Priya on a train journey. Azhagu instantly falls in love with Priya.  When they become aware of the social cause Priya is fighting for and the danger lurking over her life they decide to go to any lengths to save her and help her succeed in her cause. Will they succeed is the plot of the movie.

Oru Oorla Rendu Raja has a social message in its core. It seems to be the trend of voicing against the corporate depleting the environment and causing hazard to lives of people. The social message is the only factor of appeal in the movie. Director R Kannan has relied on some average comedy sequences to move the screenplay in which the entire social message gets weak. The comedy is also very forgettable but for very few punches. Vimal and Soori has repeated their template style of movies. Soori has played a dominant role while Vimal has underplayed his role. He should start trying to come out of his template to explore other areas in acting. Priya Anand has a good role to play in the movie. Sundari Penne song has been shot very well. If the director had given more weightage to the social message he wanted to convey rather than fitting the story to the stars it had the potential to become an interesting watch. Also certain shots and the detailing of the shots are just below average.

Overall the movie has very few pluses in terms of its social message and songs. Apart from that the movie falls into the trap of average comedy sequences which you might get to see in 24 hour comedy channels.

Can Skip it

Thirudan Police Review

Thirudan Police Review – Thirudan Police is a Tamil action comedy film released in 2014. Vishwa gets his father’s job as a constable after his father’s death during an encounter. He doesn’t have any hard feelings as his father always has been strict with him. But as he learns the kind of difficulties a constable has to go through in his job he develops respect towards his father.

Thirudan Police is the first directorial venture for Caarthick Raju. He has taken up direction after working for creating visual effects for several movies. Given this is a first movie the end product has definitely turned out to be very decent. The first half of the movie is very engaging and revolves around the life in police quarters and the kind of life the lower grade officers go through which includes losing their self-respect on many occasions. All these are conveyed in a humorous tone which proves effective. The scene in which he has to buy fruits from a roadside vendor for free for the assistant commissioner’s family and in the end he fights with his conscience and pays out of his own pocket is a good one. There are many such scenes which make the movie stand apart from the rest. Till the complex knot is built and he realizes the sacrifice of his father the movie is very engaging but post that it slows down a bit. Although the director had a good plot built up he did not want to take the usual route of ending the climax in a dramatic fight rather he had chosen to stay different which may not appeal to many sect of the audience.

Attakathi Dinesh has performed his role well and this is a role that suits him well. Iyshwarya Rajesh does not have much role in the movie.

Overall Thirudan Police is more about police rather than the thief. Apart from minor glitches and the songs for the sake of songs Thirudan Police is definitely deserves a watch when you are at leisure.

Wait for DVD/TV

Guest Post: The Ghosts of Vampires

Guest Post: The Ghosts of Vampires

Written By Tennyson Thomas

About the Author:  Tenny is an avid blogger and a reviewer of movies specializing in horror movies. He runs the blog Movies of the Soul where his fictional characters Vampire Owl and Vampire Bat review the pluses and minuses of a movie. His blog Divine Epic is a running fiction on faith, belief and hope. He also runs a general blog The Tea Cerebration and travel blog The Viator.

There was a time when Dracula should have been a pseudonym for vampire, but that has obviously changed. There has always been Carmilla, Lord Ruthven and Varney the Vampire, but none of them had anything too different from the most well-known vampire of all time. Dracula has been a character beyond all cultures, and not defined by any limitation with its reach for the admirers. But a variation was inevitable, and one of the most significant changes came with three vampires which Anne Rice had invented and was brought to the big screen through Brad Pitt, Tom Cruise and Kirsten Dunst – Louis, Lestat and Claudia.

That takes us to the movie Interview with the Vampire, one of the most impressive vampire movies of all time. One has to admit that it has brought more than a few thousands of new vampire fans. There was conscience, there was the presence of thoughts, and there was a rare breed of philosophical vampires. The vampires were no longer declared without a soul or without the scope for being good. The state of damnation was present, but their existence was not necessarily pure evil, but defined by their actions which were the result of the myriads of thoughts. It was a beginning of a change, something which seemed fair in the beginning, only to be destroyed by the movie Queen of the Damned based on the works of the same writer.

This was part of fertile grounds, and on the same, Vampire Journals made an appearance. This lesser known movie has a similar situation, with “a vampire with a mortal heart” as our protagonist calls himself as he goes on to destroy the bloodline of the one who created him. This is another intense movie which follows somewhat the same path as Interview with the Vampire. The next impressive vampire movie came much later in the form of Byzantium (even as the Underworld movies did have their merits), but between them, there were movies which made a mockery of the vampire legacy, those which I would call “the ghosts of vampires”.

Among those ghosts, the most popular and the prominent ones belong to Twilight, displaying its vampires as mutant-like creatures with superpowers, only retaining that taste for blood. Their existence itself making no sense at all, sparkling in sunlight is one of the most disastrous qualities that a vampire character could have ever been given, and the addition of the protagonist Isabella Swan to the vampires list only devastates the already existing list of shame, while the werewolf side and the ending in the final part of the movie, are better left untold. My question about it is that couldn’t these creatures been something else other than vampires? What was The Mortal Instruments: City of Bones doing with its vampires? Depressing.

It is not that the vampire can’t be depicted as part of the modern life, because Fright Night could achieve that so well. But the question remains about the impact that the vampires could bring a long time ago. But that doesn’t exist anymore, as the vampires are no longer of the power that they once had, as they have becomes the “ghosts of their self”, the shadows of themselves. The good about them which were obviously “the bad” no longer has that much of a role to play, and vampires, with too much of humanity becomes no longer themselves, but ghosts of vampires. Their undead existence itself is denied, and due to which, they can no longer the same.

Big Hero 6 Review

Big Hero 6 Review – Big Hero 6 is an American animated superhero movie released in 2014. This movie is based on the Marvel Comics of the same name. A 14 year old genius and robotic expert Hiro Hamada has to form a super hero team to fight a villain who is suspected to have played a role in his brother’s death.

If you have read the comics you might already know what you would need to expect from the movie. However if you haven’t then one of the things you might need to know is this is not yet another animation movie that targets kids with a good moral message like Wall E, UP, Frozen, Brave and so on. There is no such thing this Big Hero 6 conveys. The movie is more of a super hero movie than that of a kid’s animation movie. During the break one of the kid exclaimed to her mom that she couldn’t understand the movie. If we are looking this more from a superhero movie angle then it has all the ingredients that would entice you. The animation is of great quality and the characters are all sketched very well. The health care robot Baymax is very cute and the scenes involving the interactions between Hiro and Baymax are funny and would make you laugh. The initial portions of the movie are more enjoyable than the climax itself. The climax is large and involves destruction on a large scale and reminded me of the Avengers and Man of Steel climax. This large scale destruction has now become a trademark for superhero movies. The movie revolves more around Hiro and Baymax. There is little space for the other four characters which I believe would be more prominent in the upcoming editions. The movie does have a post credit sequence which promises a premise for the next edition. So don’t leave the theater before the end of credits.

Overall Big Hero 6 has all the elements to entertain you and keep you engaged for 100 minutes. If you are a fan of Superhero and animation movies then don’t miss this one.

Watchable

Lingaa Trailer

Lingaa Trailer

Superstar Rajnikanth’s latest Lingaa Trailer is released today. It has all the promises to become a wholesome entertainer. The script from KS Ravikumar and the mass appeal Rajinikanth is written all over the trailer. The core of the plot seems to be around building a Dam to bring in prosperity to the lives of people. the story spans from the period of British rules India to the current times.

For a movie which has been completed in such a brisk pace the output is good. It is definitely good to see Rajini walking on the screen without the restriction of any motion capture equipment 😀 There is a stark contrast you can see the way in which he walks mentioning “See you Soon” and the Jolly walk he does casually.

A R Rahman’s composition is quite different as to what you expect from a Rajini movie. This might have to do with the fact that this is a period flick. The songs would become a hit when combined with the visuals.

Hollywood Stuntman Lee Whittaker has choreographed the stunts for the movie. He has already created a buzz for Lingaa climax stunt sequence to be huge. This combined with Rathnavelu’s cinematography has definitely made the expectations sore high.

How can a Rajini movie go without any signature style element. The walk of Rajini and the way he pushes his long coat behind as he walks seem to be style icon for Lingaa.

Soon the catchy phrases like “Come on Boys”, “Lets Begin” and “See you soon” would start to trend among Rajini fans and memes on social network.

Enjoy watching the trailer till the movie comes to the theaters!

London Bridge Review

London Bridge Review – London Bridge is a Malayalam romance drama released in 2014. Vijay is a successful businessman settled down in London. He gets the chance of his life to become the son in law of another famous businessman CS Nambiar. But with a strange turn of events a girl who is the bread winner of a poor family gets hit by his car and her right hand is paralyzed which prevents her from taking up a job. What will Vijay do now is the story of London Bridge.

London bridge did not work for me. Other than the pleasant visuals of London and UK countryside there was nothing enjoyable in this tale of romance. Majority of the movie happens in UK barring a few scenes in India. Through the entire movie the lead pair looks jet lagged. Nandita Raj’s expression is between A and B. Most of the intense emotional sequences fall flat with her single expression face. Prithivraj has tried hard to act but the chemistry between the pair goes missing. The plot of the story is very unique where the conflict is between the romance and morality of self. However it takes a U turn trying when the transition in the hero almost happens very quickly and you would be able to guess the call he would take naturally in the end. The second half of the movie happens to be just a formality to witness the predictable eventuality. If the stress has been made more on the inner conflict of the hero and kept him strong till the end of the movie it would have made a very interesting tale.

Prathap Pothan and Andrea Jeremiah are a big plus for the movie. Although they don’t have much scenes but the sequences they are present are watchable. Another drawback in the movie is its length and pace. The pace is too slow.

Overall this is a forgettable movie for Prithivraj. It had the promises but has failed to deliver on it.

Can Skip it

Related Posts: Om Shanthi Oshaana Review | Thattathin Marayathu Review

Chroma Key – How to make Superman fly the sky

Chroma Key – How to make Superman fly in the sky

In the previous Friday Fundas section I mentioned Cinema is a magical medium and how optical illusion can create perceived reality with techniques like Forced Perspective. One of the readers had asked an interesting question on how scenes similar to Kumbakarna and the tiny soldiers, Gulliver and Lilliputs are made. While some of the scenes may be forced perspective but the scenes which involve the Lilliputs walk over the giant body of Gulliver is covered by what is known as the Chroma Key Compositing or Chroma Keying Technique. This also popularly called as the Green Screen effect or the Blue screen effect.

The basic of Chroma Key is overlapping two images and make them merge with each other. Let us consider the flying action of Superman and the image of sky behind him. As images are built of pixels you would want to replace the background from the image of superman in flying action with that of the image of the sky. In order to achieve it you would want to make any pixels around Superman transparent. Well Chroma Keying is the technique to do that. The technique involves choosing certain color range of pixels and making it transparent.

A shot from Man of Steel using Chroma Keying
A shot from Man of Steel using Chroma Keying

In the initial days this was done using a blue screen at the background and then blue color was made transparent to merge with another frame to make it look like they are happening in the same space. It should be noted that no other character or object in the first scene should have blue color. As Superman has a blue costume instead of a blue screen a green screen could be used. In the modern days a green screen is used prevalently as the image sensors in digital video cameras are more sensitive to green there by allocating more pixels to green channel.

Prior to the digital era Chroma Key was also performed on the films. It was popularly referred to as Matte technique. The technique is as old as 1930s. The scene comprises of two scenes one the foreground shot and the other the background shot. The background of the foreground shot when taken would be a blue screen. Now the camera color negative of this shot was printed onto a high contrast black and white film using either a filter or the black and white film to limit the blue color. The resultant film produced transparent color wherever it found blue. The end result is the foreground object with a transparent background. This is called the “Female matte”. This was now copied onto the high contrast negative of the background scene which is called the “Male matte”. The end result is the negative of the film with both these scenes merged with each other.

One of the key challenges in this technique was camera movement. The camera movement used when shooting the foreground should be used exactly the same way while shooting the background scene. Later techniques were developed to automate this process to move the camera exactly the same way.

Well next time you see Superman fly or Batman jump across buildings you would remember there is always a Chroma Key behind it.

Related Posts: Forced Perspective | Bullet Time | Friday Fundas Archive

Guest Review: Interstellar

Guest Review: Interstellar

This review of Interstellar is a guest review by one of my friends Amar Singh. 

About the Guest Author:  Amar Singh is a 
Research Scholar from Department of English, BHU
Working with Prof. Anita Singh on the topic titled, “Hyperrealism and Christopher Nolan’s Cinematic Texts.”

“A real magician tries to invent something new, that other magicians are gonna scratch their heads over.”

This line said by Alfred Borden (played by Christian Bale) in The Prestige (2006) pretty much sums up what the brand Christopher Nolan is all about. His new instalment, Interstellar, is now in the theatres and man o man, what a ride it is! If one has to capsule the story of Interstellar, it would read something like this; this is basically the story of Cooper and his bond with his daughter Murph that surpasses the limits of the universe. The plot of the movie has been based in the future where the climate of earth is deteriorating at a rapid pace. The only chance for human beings to survive is to find a new abode in some other galaxy where they can start life afresh. This daunting task is laid upon Cooper, to pilot the spaceship Endurance, which will go through a warmhole discovered near Saturn and hunt for a new earth. But the story is not as simple as it reads. There are so many elements, so many concepts that Nolan has introduced (and that is what we expect from a director who has made Memento and Inception): theory of relativity, warmhole, blackhole, time and gravity as other dimensions, and so on; that it becomes an uneasy and adventurous ride for us as it is for Cooper and his crew. But behind all these heavy concepts, there is the strong emotion of love that becomes the main thrust of this movie.

If one goes through Nolan’s movies from the beginning, there is a gradual development of an enlightening process of his protagonists that one can trace in his films, which is directly proportional to his advancement as a director. He is one of the brightest students of cinema who is trying to learn new lessons with every movie he is making. And one thing that has become his signature style is the way he is obsessed with the concept of time and how it affects us on different levels and how we fit ourselves in its not-so-linear movement. In Interstellar, he has gone way ahead of his previous movies in dealing with such high concepts which one has to brainstorm with repeated viewings to understand them. And I have not even talked about the visuals yet. Oh, what an experience it was! If there are flaws in the movie (there are a few), all of them will be subsided with the grandiose of the visuals. Just invest yourself in his world; you will come out with a never felt before riveting experience.

In the movie, when Cooper is dropped into a fifth dimension from where he gains access to time and gravity as physical entity, which he uses further to convey messages to his daughter, the very scene becomes so intense and emotional that one can go through the psyche of Nolan himself. The concept of filmmakers as someone who have an access to parallel times (which they gain through their camera) have been repeated quite a few times in different movies (Hugo and Inception are among such examples), but this movie becomes so personal for Nolan that in that very scene, we can see the struggle of a maker to look for and give directions to his greatest creation, his daughter, so that she may be safe and secure.

If you love cinema, go watch Interstellar. Whether you’ll like it or hate it, it doesn’t matter, what matters is that you will remember the experience for days and will indulge in the dialogues related with this movie. This is where cinema comes at its best, and this is what we call a true cinematic experience.

Ek Ruka Hua Faisla Review

Ek Ruka Hua Faisla Review – is a Hindi drama released in 1986. This is the remake of the American Drama 12 Angry Men released in 1957. 12 men in the Jury have to come to a unanimous decision for the verdict of a criminal trial. All of them find the accused to be guilty but for one person in the room who wants to talk it through before taking a decision. The rest of the movie is on if they are able to build consensus on the verdict they are going to arrive at.

What can you do better in a remake movie whose original is perfectly made? You would need to make it exactly the same way. Director Basu Chatterjee has done the same thing in Ek Ruka Hua Faisla. It is a remake of 12 Angry men. Although Jury duty is not in our judicial system the movie dives into the conversation of 12 different men who talk about a murder case without actually dwelling into the reason of why they were chosen to discuss it. Also the dialogues for most part the exact replica of the original. It’s not easy to be so convinced with the script of someone else when making your own. Kudos should go to the team for doing this.
The original is in black and white which even made the discussion and acting more compelling. With colors you have more distractions on the screen. The director has used some well-trained actors to make the movie very engaging. It starts on a very slow note but few minutes into the plot it demands for your undivided attention. The performance of Pankaj Kapoor is of top notch. He is a great actor I always admire who could literally fit into any shoes with so much ease. He dominates the entire proceeding. A few deviations from the original movie do exist for instance the hot weather and lack of fan was not talked about as a major issue and also the movie showed some clippings of the crime scene and court hearings. I believe the director had to do this to suit to Indian audience. Culturally we are used to adjusting with what we have and hence the fan not working is not seen as a great issue. Also he was not very confident about the viewer’s intelligence which made him to include those exterior clippings as required.

Overall Ek Ruka Hua Faisla is a gem of a movie in Indian Cinema and is a must watch.

Must Watch

Gone Girl Review

Gone Girl Review  – is an American thriller social drama released in 2014. Nick returns home on his fifth wedding anniversary to find his wife missing from home with broken furniture and covered up blood stains in the house. As the police starts investigation the mystery deepens and the plot thickens as the suspicion turns towards Nick.

Gone Girl is not just a mystery thriller but more of a social drama which hits hard on the various aspects of the society such as media frenzy public, effect of recession on marriage, dishonesty in strained relationships, upbringing of a child and so on. This one is based on the book with the same name written by Gillian Flynn.

One of the thing that would starkly hit you when watching Gone Girl is that it is very slow paced and the lighting is gloomy throughout reflecting the mood and the theme of the movie. The movie doesn’t have many elements that you would expect in a suspense thriller and I believe Director David Fincher has done it deliberately to focus on the social issues.  A lawyer specializing in protecting husbands framed for wife’s murder, reality shows and interviews with emotional confessions are brilliantly woven into the movie. The dialogues like “Your parents have plagiarized your childhood”, “There is a always an idiot in a locality” are hard hitting on the issues the movie is dealing with.  Ben Affleck is in his usual self and the role kind of suits his style of acting as it did in Argo. Rosamund Pike has a meaty role to play in the movie and this would be one of her top Hollywood movies so far.

Overall if you enjoy watching movies that are slow and with multiple twists you would enjoy Gone Girl. Many of you would find the length to be longer and a bit dragging. If you are able to appreciate the movie much beyond the pure mystery thriller it deserves a watch.

Go for this Gone Girl she ought to be found!

Watchable